BLACK CASE RENTALS
& GEAR LIST
I rent out my production gear with my hire for any film or photography jobs ranging from events, short form media, music videos, advertisments, commercials, weddings, portraits and headshots! (DP/Cam OP/1st AC) I also offer DP kit/Cam op and 1st AC kits including camera packages, wireless video Teradek systems, wireless follow focus (Nucleus-M), manual focus kits, monitors, power accessories and more saving the client time renting and money over competitors.
'My cinema is photographic and my photography is cinematic' -BlackCase
(Save money over a rental house+ reliability and hassle)
Click HERE for downloadable excel style PDF of gear
Cinema Cameras:
RED Komodo 6K Cinema Camera
-Speed boosted To Full Frame+ [Large Format/ Vista Vision effective sensor width and height] [16 bit R3D RAW]
-19.9MP Super35 Global Shutter CMOS - [Canon 0.71x RF-EF focal reducer = larger than full frame feild of view. Approaching VV]
[38mmx20.25mm effective sensor when boosted+ gains 1 stop of light]
-15+ Stops Dynamic Range
-Up to 6K40 17:9, 6K 50 2.4:1, 5K50, 4K60 & 2K120 Recording - REDCODE RAW HQ/MQ/LQ & Apple ProRes
-Wireless Control & Preview via Wi-Fi
-Shoots large S35 (unboosted) [1.33x from full frame] EF, PL - as well as boosted 0.95x (larger than full frame) video in EF or PL with boosters
[*Availability for Komodo to use LF/FF PL lenses with use of a Metabones RF-PL 0.71x speed booster if requested]
On Camera:
+Red PRO CFast 512gb
+Metabones 0.71x RF-EF CINE locking speedbooster
+Ignite Digi TB50 battery back plate (3 regulated 2 pin Lemo 0B outputs) with usb C hot swap or power feature
(Powers camera and all accessories through battery plate while hot swapping or AC/battery bank usb-C input powered)
+0.71x RF-EF mount | Metabones CINE locking speedbooster [Creates a between Full Frame & Vista Vision field of view; 38mm x 20.25mm]
(Zero play locking mount acts like a PL mount for EF glass)
+Bright Tangerine top handle+ LWS 15mm upgrade + run stop Nato top rail
+Bright Tangerine Left field baseplate (Arri dovetail base lift off QR) with DJI/ Manfrotto quick release riser plate
+Tilta Komodo side ribs with 2 rosettes each camera side
+15mm rods either side for manual or w wireless follow focus motors
+top handle with nato for EVF/monitor
+12G SDI Belden cables by Nine Volt (2x lengths: monitor/ EVF/ gimbal monitor & Teradek)
Black Magic Cinema Camera 6K FULL FRAME 3:2
[12 bit 6K BRAW cinema camera with Full Frame 3:2 sensor]
+512GB CFExpress Type B [AngelBird]
+Ef Mount cine locking adapter
+Mamiya 0.7x to L mount Focal Reducer [Kipon] [Makes the FOV the same as a 65mm film or Alexa 65!!]
+Half cage [Tilta]
+512gb Memory CFExpress Type B
+Rod mount 15mm,
*Can also live on my Ronin R2 Gimbal as B cam with matching Luts to my RED Komodo
Stills Cameras:
Sony A7RII 42mp industry leading full frame sensor camera (Video and photography)
-4k Full frame & 4K Super35mm Slog-2 camera
Fujifilm Instax Wide 300 film camera
[available for polaroid style photo's added to any photography hire/assignment]
Lens Adapters:
+RF-EF 0.7x Speedbooster cine lock ef version [Metabones]
+Mamiya 645- L mount 0.7x Speedbooster [Kipon]
+EF to L mount adapter with digital pins
+M Leica mount to L mount adapter
+Mamiya 645 to EF mount
[For Mamiya FF/VV use on RED Komodo 6K Speedboosted [VV fov]
+EF- RF adapter with digital pins [Canon]
+EF- E mount adapter with digital pins
Video Lighting Accessories:
-43 inch Octabox diffuser for Genray 14 LED lights
-Diffusion fabric caps for the Genray 14 LED lights
-80cm soft box for 1k LED
-120cm soft box for 1k LED
-White umbrella diffuser
-CTO 1/4, 1.2 and full kit+ CTB gels+ white diffusion
Lenses:
Cine modded primes:
All Spherical lenses have:
-95mm front OD for matteboxes
-.8 pitch gears/ Duclos modded
-Custom built in 82mm screw in filtration + can stack 82mm vari nd/filtration AND use mattebox still clamped on over top!
Zeiss Milvus Prime Set/ 12mm FF/VV:
*Click HERE to see Zeiss Milvus prime lens tests of mine on the Red Komodo boosted to FullFrame/VV
-Includes full Milvus Super Speeds kit [ultra high end f1.4 optics with higher IQ than Zeiss CP.2's & CP.3s kit with custom Zeiss pelican case and 95mm zeiss cine caps]
-12mm f2.8 Laowa 0-Distortion prime VV/FF [85mm Donut for 95mm Mattebox]
-Zeiss 18mm f2.8 MILVUS EF [95mm front cine OD]
-Zeiss 25mm f1.4 MILVUS Super Speed EF [95mm front cine OD]
-Zeiss 35mm f1.4 MILVUS Super Speed EF [95mm front cine OD]
-Zeiss 35mm f2 MILVUS EF [95mm front cine OD]
-Zeiss 50mm f1.4 MILVUS Super Speed EF [95mm front cine OD]
-Zeiss 85mm f1.4 MILVUS Super Speed EF [95mm front cine OD]
-Zeiss 135mm f2.8 'Contax' EF [95mm front cine OD]
Other:
-Zeiss 35mm f1.4 CLASSIC EF [95mm front cine OD]
Zoom Lenses:
-Canon 16-35mm f2.8 L mark II EF [95mm front cine OD]
Mamiya 645 Sekor C Medium Format Primes Set:
*Use with my BMCC6K FF and Kipon booster for 65mm+/Alexa 65+ FOV!
*These are the coveted large format lenses used by Christopher Nolan in the Dark Knight, Inception and more for IMAX and 65mm scenes
*EF adapter+ can adapt with 1.25x or 2x anamorphic systems of mine
*These lenses were all used in rehoused Arri DNA primes (30k$+ lenses with the same optics as below)
*They can be used for all formats from IMAX, 65mm (or speedboosted to 65mm on a LF camera like an Arri Alexa LF or Red V-Raptor) LF/FF and Super 35
*These are top of the line MINT rated copies of the coveted 'N' series, the newest versions of the Mamiya 645 Sekor C's
-Mamiya 35mm f3.5 Sekor C 'N' version [95mm front cine OD]
[24mm f2.8 ff equiv]
-Mamiya 45mm f2.8 Sekor C 'N' version [95mm front cine OD]
[33mm f2.8 ff equiv]
-Mamiya 80mm f1.9 Sekor C 'N' version [95mm front cine OD] *Dark Knight lens
[55mm f1.5 ff equiv]
-Mamiya 110mm f2.8 Sekor C 'N' version [95mm front cine OD]
[80mm f2 ff equiv]
Vintage mini set:
-Helios 44-2 58mm f2 EF [95mm front cine OD]
-Zeiss 35mm Flektagon f2.4 EF [95mm front cine OD]
Anamorphic Primes FF 2x and 1.25x:
Zeiss Milvus 2x Anamorphic adapted FF set:
[114mm front cine OD for all 2x Anamorphic options below]
Click HERE to see 2x Anamorphic examples on my Red Komodo
-True anamorphic 2x (2.35:1 cinemascope) with .8 pitch focus gears
-'acts as' below are for FF lens width FOV on my 0.94x crop FF+ boosted RED Komodo cinema camera for the anamorphic lenses listed
-Zeiss 50mm f1.4 Anamorphic 2x (Acts as a 33mm equiv.)
-Zeiss 85mm f1.4 Anamorphic 2x (55mm equiv.)
-Zeiss 135mm f2.8 Anamorphic (90mm equiv.)
Other 2x option:
+Vintage style 58mm f2 Anamorphic 2x -Helios 44-2 (37mm equiv.)
Zeiss Milvus 1.25x Anamorphic adapted FF set:
[95mm front cine OD for all 1.25x Anamorphic options below]
[Films shot in 1.25x anamorphic: Ben Hur 1959, Hateful Eight 2015, Rogue One Star Wars 2016, The King 2019]
-1.25x creates 2.2:1 in 16:9 mode or 2.4:1 in 17:9 mode
-1.25x can also be anamorfaked for more oval bokeh to appear as closer to 2x
-'Acts as' below numbers are 17:9 and then 16:9 FF width FOV width equivalents on my RED komodo speed boosted 0.94x FF+ cinema camera
-1.25x on my boosted Red Komodo creates a 47mm wide sensor FOV, nearly the width of the Arri Alexa 65mm cinema camera!
-Zeiss 35mm f2 Anamorphic 1.25x (Acts as a 25mm 17:9 & 26mm 16:9 FF FOV equiv.)
-Zeiss 35mm f1.4 Anamorphic 1.25x (Acts as a 25mm 17:9 & 26mm 16:9 FF FOV equiv.)
-Zeiss 50mm f1.4 Anamorphic 1.25x ( Acts as a 25mm 17:9 & 26mm 16:9 FF FOV equiv.)
-Zeiss 85mm f1.4 Anamorphic 1.25x Acts as a 60mm 17:9 & 64mm 16:9 FF FOV equiv.)
-Zeiss 135mm f2.8 Anamorphic 1.25x Acts as a 95mm 17:9 & 101mm 16:9 FF FOV equiv.)
Other 1.25x Anamorphic FF+ options:
-Mamiya Sekor C N 45mm f2.8 Anamorphic 1.25x (Acts as a 31.5mm 17:9 & 34mm 16:9 FOV equiv)
-Mamiya Sekor C N 80mm f1.9 Anamorphic 1.25x (Acts as a 56mm 17:9 & 60mm 16:9 FOV equiv)
-Vintage style 58mm f2 Anamorphic 1.25x -Helios 44-2 (Acts as a 41mm 17:9 & 43.5mm 16:9 FOV equiv)
Photo Prime Lenses:
(*Also all compatible with the Sony A7R II 4K video)
*All cine based Zeiss and canon lenses can be used for photography also in addition to smaller Leica M mount glass below
-Leica 35mm f2 Summicron-M [M mount-Leica]
-Voigtlander Nokton 50mm f1.5 [M mount-Leica]
-Voigtlander 21mm f4 [M mount-Leica]
Matte Box:
-Bright Tangerine Misfit Kick professional matte box kit:
-2 or 3 stage matte box with reveal stage
Accessories:
Backing sizes and adapters:
+95mm backing [Bright Tangerine frame safe]
+114mm backing [Bright Tangerine frame safe]
+80mm to 95mm adapter [mount with 95mm frame safe^]
+85mm to 95mm adapter [mount with 95mm frame safe^]
+4x Bright Tangerine Misfit kick 4"x5.65" trays
+Top french flag [carbon fibre] with pull out side curtains
+Filter Tray [Bright Tangerine]
+Black Hole Mini Rubber Donut [Bright Tangerine] [114mm]
-SmallRig Mini Mattebox [ultra light carbon fibre mattebox]
+2x 4"x5.65" filter trays
+95mm backing for 95mm OD lenses
+80mm to 95mm adapter for 80mm OD lenses
+85mm to 95mm adapter for 80mm OD lenses
+Top french flag [carbon fibre]
[Note- for all cine EF lenses above my high end Polar Pro Vari ND/ND's can also work in conjunction with matte box+filters to create ND+diffusion]
Mattebox Filters [4"x5.65"]
Full Spectrum Neutral Density filters
[FSND filters are state of the art ND filters that also filter out many forms of light pollution such as Infared, creating proper skin tones and black blacks]
- 0.6 FSND Schneider RHOdium 2 stop ND [4"x5.65"]
- 1.2 FSND Schneider RHOdium 4 stop ND [4"x5.65"]
- 2.1 FSND Schneider RHOdium 4 stop ND [4"x5.65"]
- 3.0 FSND Schneider RHOdium 4 stop ND [4"x5.65"]
FSND set when single or stacked 2x:
0.6- 2 stops ND [single]
1.2- 4 stops ND [single]
1.8- 6 stops ND [0.6+ 1.2]
2.1- 7 stops ND [single]
2.7- 9 stops ND [2.1+ 0.6]
3.0- 10 stops ND [single]
3.3- 11 stops ND [1.2+ 2.1]
3.6- 12 stops ND [.6+ 3.0]
4.2- 14 stops ND [1.2+ 3.0]
5.1- 17 stops ND [2.1+ 3.0]
Diffusion filters
-1/4 Schneider Hollywood Black Magic [4"x5.65"]
Lens filters [82mm]
[Filters fit all my lenses as well as work in conjunction with my matte box 4x5.65" filters]
ND:
-Variable ND 2-5 stop PolarPro Edition II [82mm]
Diffusion:
-1/4 Black Pro Mist [82mm]
-1/2 Black Pro Mist [82mm]
Wireless Video Systems (Teradek)
-Teradek BOLT 500 XT SDI/HDMI RX/TX
[0ms 1080p 60 industry standard high end wireless video system]
+V mount/Gold mount/Sony L mount powered options all available
+Teradek hard case with all accessories (AC power/D tap LEMO connections/L mount/HDMI and SDI cables and manual)
-Hollyland Mars X
[1080p video/audio transmitter for up to 3 IOS/Android devices (phones or iPads) with only 0.07ms delay]
+Perfect for gimbal work, smaller shoots or combined with my directors monitor/1st AC setup to send out to clients or other departments on set
Follow Focus (Wireless & manual)
-Tilta Nucelus-M wireless system:
+Nucleus M- Focus Motor
+Nucleus M- Fiz hand unit
+Nucleus M- Wireless follow focus handle Right & Left [Arri rosette]
+Tilta Nucleus M fiz monitor mount+ QR updates+ ergonomic updates+ phone QR holder for RED Komodo control/RS & viewing for 1st AC
+Ignite Digi memo power cable + Tilta D tap power cable for motor
[D-tap power or Tilta battery bank 8v power for gimbal use/ small rig/ handheld setups or lenses requiring lower torque]
-Zacuto manual Z-drive with Tornado hand grip follow focus attachment
+15 inch follow focus whip
Fiz unit focus disks x9 total:
[Focus distances marked and ready to go, including printed lens distance scale backups]
[x5 total for 1x each Zeiss milvus lens]
[x1 for the Canon 16-35 L]
[x2 for anamorphic 1x for normal distance, 1x for +1 diopter]
1x backup for other lens distance scale
Professional Reference Monitor /Director/ 1st AC Monitor:
-Panasonic18.5" professional reference monitor [LH series/ BT-LH1850
-SDIx2 and Hdmi input x1
+Vesa mini baby pin monitor mount
+Nanuk custom foam carry case
Director/1st AC Monitor pro wireless kit portable:
*Contains Monitor, Teredek, wireless 1080p transmitter for 3 phones/Ipads, SDI out for production/directors monitor
all built into a portable cage system
-Wooden Camera directors cage V3 carbon fibre all in one unit which holds the following:
-Teradek BOLT 500 XT wireless 0ms delay video receiver
+7inch 3000 nit full HD monitor [Osee 4K G7 HDMI & SDI 1920x1800]
-Hollyland Mars X iOS/Android phone/Ipad 3 device 1080p video/audio transmitter
+V mount battery mount with on/off switch for entire unit
+Sun hood which doubles as screen protector when transporting or not in use
+Tilta Nucleus M fiz monitor mount+ QR updates+ ergonomic updates+ phone QR holder for RED Komodo control/RS & viewing for 1st AC
+Kit can be totally wireless with 4 point padded harness/neck strap for convenience or
mounted on stand during takes or for 1st AC/ video village
+ Kupo baby/junior swivel head w QR for Directors/AC monitor cage [For fully adjustable monitor angle/pitch setup]
[Pelican case with strap containing fully setup directors monitor Teradek and mars X single unit with V mount battery + Teradek 500 XT transceiver]
Stabilization:
Dolly:
Doorway Dolly:
-Proaim Spin Doorway Dolly [2 and 4 wheel steer+ track wheels]
+Upgraded Alpine boom attachment with Mitchell mount +100mm bowl adapter [3'-6.5' height vertical boom]
+Mitchell mount 13-22" riser
[Boom up and down vertically while dollying like a chapman/pro dolly!]
Click here for instructions and manual
Click here for Alpine upgrade/attachment video
-Pneumatic tires with 4 or 2 wheel steer
-Track wheels are pre installed, simply lift onto track for track mode with any industry standard dolly track
-Works with any Elemac accessories
+Operator seat
+Elemac mount at dolly base
+Mitchell mount on Alpine vertical boom
+Mitchell riser to reach up to 6'5" [13-22" riser]
+100mm bowl adapter for Mitchell mount
Dana dolly/Dutti dolly style conversion option:
-Tear down for small track only dolly similar to Dana dolly or Dutti dolly! (remove pneumatic tires, and 4 wheel steer front end)
-Tears down to 26x20" (similar size to Dutti dolly)
Tripod Dolly:
-Proaim Swift Tripod Dolly/ Jib dolly
Slider Dolly:
[Works on table top with included legs or on tripod/stands]
Dolly Track:
[3x4 foot sections + wedges]
[Track works with doorway dolly and tripod dolly]
Gimbal:
-Ronin R2
[Full size Ronin not* smaller RS model]
[Up to 30 LBS Camera Package]
+ Full kit with case
+ Cine ring
+ DJI ready Rig Adapters
+Nucleus M Handle clamp
-Ready Rig with Pro Arms upgrade
Perfect for gimbal setups up to 40 pounds!
+Lumbar support upgrade
Easy Rig:
-Easy Rig Mini Strong with 16x9 KONG quick release + hook
[^Supports 7-22 pound camera/rig configurations!]
Shoulder Rig:
-Full production shoulder rig [15mm titanium alloy Bright Tangerine rods]
+Quick release manfrotto 501 plate for camera to other stabilizer [tripod, monopod, dolly, gimbal etc in seconds]
+Handles both feature Wooden Camera push button quick adjust upgrades:
+Wooden right hand grip [Rosette]
+Tilta nucleus-M left hand grip and follow focus handle [Rosette]
+V mount plate and D-tap splitter
+Teradek SmallRig quick release NATO rail system off of 15mm rails
+Shoulder pad attachment
+Panavision X Alan Gordon professional padded shoulder pad strap
Tripod:
-Benro DV10 100mm bowl professional tripod head
-Benro A673TM legs + mid spreader and rubber feet
+Independant drag and counter balance
+Supports pro rigs up to 22 pounds/10kg (head)
Video Lighting:
Aputure/Amaran/Nanlite Kit:
[All Aputure lights below sync via bluetooth mesh network to Sidus link app for full control and pre-setups]
Lighting Scheme:
Letter before a number: P=panel light F= flex light B= Bulb light T= tube light
Letter after the number: D= daylight X= bi-colour C= RGBWW [full spectrum]
Bowens mount modifiers [fit COB lights below]
-Aputure F10 Fresnel [1 unit]
-GL20 8" Fresnel [Nanlite] [1 unit]
[works on 500b and 300b]
-Aputure lantern [1 unit]
-Aputure space light [1 unit]
-80cm softbox [Phot-R]
Aputure/Nanlite COB Fixtures:
- LS 600d Pro [1 unit]
600w COB
+F10 Fresnel
+Rolling case
+V mount power pack [duel+charging]
-500b [Nanlite] [2 units]
500w Bi-colour COB
90% 5600k output as 600d
33% more output @5600k than 600x
50% more output @3200k than 600x
+GL20 8" Nanlite Fresnel x1
+Hyper reflec
+Umbrella holder
-300b [Nanlite] [1unit]
300w Bi-colour COB
More 5600k output than a 300dii
40% more output in 3200 and 5600 than 30
+GL20 8" Nanlite Fresnel x1
+Hyper reflector
+Umbrella holder
+NO control box- super efficient and rig-able
- 200x [1 unit]
200w Bi-colour COB [As powerful as a 300x with reflector]
+Hyper reflector
+Umbrella holder built into yoke
Aputure Panel/ Flex Lights/ 4' Tubes/ Mini LED's/ Bulb Fixtures:
- Nova 600c [1 unit]
600w 2'x1' RGBWW panel light
- F22c [1 unit]
200w 2'x2' RGBWW flexlight
+Softbox with grid and diffusions:
+ 0.5 stop diffusion & 2.5 stop diffusion
+V mount power [via control box]
- P60c [1 unit]
RGBWW 1'x1' panel light 60W output
+soft box & grid
+V mount or 2x Sony BP batteries for independent power
+Umbrella holder built into yoke
- T4c [2 units]
RGBWW 4 foot tube light
-AC powered OR with rear hidden battery attachment the tube is perfect for on camera (looks identical to an aster tube-clean)
-More outout and higher CRI than Astera Titan tubes
-Removable battery for quick replacement w/o de-rigging
-Aputure MC [2 units]
RGBWW 3"x4" lights
+diffusion
-Aputure B7C [6 units]
Bulb RGBWW light fixture with built in battery
+Case with chargers for all bulbs to charge at once
Adapters for E27 B7c bulbs to mount to virtually any light socket: [Also work with Asteras NYX bulbs]
+4x E27 extenders
+5x GU10 to E27 adapters
+4x GU24 to E27 adapters
+5x E12 to E27 adapters
+5x E14 to E27 adapters
+4x E17 to E27 adapters
Other Light Fixtures:
-SmallRig Pix M160 [1 unit]
RGBWW 3.5"x6" light fixture
+diffusion
+grid
Bowens Mount Modifiers/Diffusion:
-F10 Fresnel [Aputure] [1 Unit]
-GL20 8” Fresnel [Nanlite] [Works on 500b and 300b] [1 Unit]
-LightDome 150 5’ Parabolic softbox [Aputure]. [1 Unit]
-7’ White Bounce Umbrella [Umbrella mount]. [1 Unit]
-Lantern [Aputure]. [1 Unit]
-Space Light [Aputure] [1 Unit]
-Parabolic Softbox 80cm [1 Unit]
Leko/Spotlight:
Nanlite Projection/Spotlight Attachment [PJ-BM model]
-Pairs with my 500b for huge bi colour output/300b for still strong output
-2x more output than an Aputure spotlight and 300dii combo (500b)!!
-33-50% more output than a 600x with Aputure spotlight! (Tungesten 50% more, daylight 33% more)
-Can further pair with a 720b for the max output with a leko/spotlight on the market in its class!
Leko/Spotlight accessories:
-36 degree lens
-Iris control
-Aputure Gobo kit (10 gobos)
-Nanlite Gobo Kit (4 Gobos)
-Creative coloured gel kit
Leko Spotlight Package:
Nanlite 500b or 300b + Nanlite Leko/Spotlight
+All gobos, Iris accessory, gels etc
[500b Recommended for the best massive output]
LightBridge CRLS Production Kit:
[6x 50cm: 1,1,2,2,3,4 Strength, 4x25cm: 1,2,3,4 Strength, 4x15cm:1,2,3,4 Strength]
Full Pro Production kit with 3 female connectors, multiple arms, clamps etc
-Custom bag to hold all above
Individual CRLS size kits:
50cm CRLS [6 total]:
1 Strength x2, 2 Strength x2, 3 Strength x1, 4 Strength x1
25cm CRLS [4 total]
1x of each Strength [1,2,3,4 in 25cm]
15cm CRLS [4 total]
1x of each Strength [1,2,3,4 in 15cm]
Diffusion/Frames & Rags:
Frames [Modern Studio]:
-4x4' Frame [Teardown style- heavy duty] [1 unit]
Diffusion/Rags [Modern Studio]:
4x4':
-1/4 Grid cloth [Silent] [1 unit]
6x6':
-1/2 Grid cloth [Silent] [1 unit]
-Unbleatched muslin [1 unit]
Negative Fill:
8x8' Negative [1 unit]
Flags, Bounce, Neg:
-42x42" Ultrabounce/ neg floppy [Folds out to 40x80"] [Modern Studio] [1 unit]
-24x36" Black floppy [Folds out to 36x48"] [1 unit]
-47x57" 5 in one fold out [Black neg, bounce, gold, silver, diffusion] [1 unit]
-42" Bounce/diffusion round fold out
LX/ GRIP and Rigging:
Stands, Booms, Clamps, Adapters and Lights Rigging:
C-Stands:
-3x Turtle base C stands total:
-1x C Stand - Turtle base [Savage, silver]
+tons of extra patented features- click HERE to view
-2x C Stands -Turtle base [black]
C-Stand Add ons/grip:
-6 Arms total:
-5x 40" arms
-1x 20" arm:
+2x 40" are Kupo steel arm with knuckle and baby hex connection at end of arm
+1x 40" is Avenger
+1x 40" Savage with mafer style clamp
+1x 20" is a Kupo steel arm with knuckle and baby hex connection at end of arm
Grip Heads:
-7 grip heads total:
-5x Kupo, 1x Avenger, 1x Savage
-[special features of kupo: 1) Spring loaded gobo 2)Kupo grip heads can affix a baby pin on their top allowing a light to mount + the gobo for diffusion/double duty]
ty]
Combo Stands:
-1x Matthews Combo Stand- Digital Double Riser 11.3'
Boom Arms
-1x Heavy duty baby boom 8 foot arm [Strobepro] [Baby pin mount] [Steel]
[Supports 22 pounds at fully extended!]
+Squared baby pin at boom end to avoid rotating lights/rigging
+Sand bag holder for counter weight
Light Stands:
-3x Light stands [Manfrotto] [Aluminum 8']
Autopole:
[Rig lights, diffusion etc from the ceiling saving floor space from stands]
+White rubber feet to prevent marking
+Stud finder to locate studs for strong rigging
Clamps and Adapters:
-Cardellinis: [Kupo Riser clamps]
-All below have additional 3/8 hex receiver on top jaw section to for additional arms or spigots/ rigging
-1x 4" end jaw cardi
-1x 9" end jaw cardi
-2x Super Clamps/ Mafer Clamps [Manfrotto]
+ spiget [Squared off spiget for anti rotate]
Pony Clamps [A clamps] [Steel] :
- 6x 1"
- 6x 2"
- 3x 3"
1x Safety cable/wire 18"
1x Drop ceiling scissor clamp [Avenger]
1x Long double baby pin 5/8" [Avenger]
1x 2 Section 24" double articularted arm [Supports 11 pound lights or rigging] -Baby pin spigot ends
-1x 2' Gooseneck flexible clamp [Clamps small LED light panels or ipad]
Sandbags/Waterbags:
4x Total:
3x 28LBS waterbags (weigh nothing until filled, fill to 14 or 28LBS)
1x 15LBS vinyl sandbag (water resistant)
Flags:
-24x36" Solid floppy flag [Extends to create a 36x48" floppy]
Board Flags x Bounces:
-2x 40x40" black board
-1x 20x40" black finger board
-1x 40x40" white board
AC Power
-1x 100' AC power cable [15A 125V - grounded]
-1x 50' AC power cable [15A 125V - grounded]
-12 Gauge SWOOJ 12/3 industry standard
-2x 25' AC power cable [15A 125V - grounded]
-12 Gauge SJOW cables
4x Cube tap 3 outlet AC
-Industry standard heavy duty- Leviton brand, grounded
1x AC 4 outlet wall plug adapter
Sound:
-Sennheisser G2 Lavaliere wireless mic kit
Receiver cables:
+Mini jack 1/8 male [locking to receiver] to XLR female
+Mini XLR male to mini jack 1/8 male [locking to receiver]
+Mini jack 1/8 male [locking to receiver] to mini jack 1/8 male
-Seinheisser professional XLR shot gun microphone MKE 600 with internal phantom power
[Cables below effectively connect the XLR shotgun mic to any audio system [XLR, Mini XLR, 1/8 mini jack]
+10" XLR female to mini jack 1/8 male
+10" XLR female to Mini XLR male
+ 6' mini jack 1/8 male to XLR female
+ 6' XLR female to XLR male
+ 10" Mini XLR male to XLR female
-Rode Video Mic Pro+
-Rode Lav+
+30 foot reach cable/ Apple IOS wireless recording
Monitors:
-Small HD 502 (SDI+HDMI in/out)
[1080p 5" monitor with Side-finder EVF combo that works as a monitor + EVF]
+D tap power or Canon LP-E6 (both options available and stocked)
-Feelworld 7" 1080p monitor
+Sun hood (V mount powered with Directors monitor/1st AC kit or Sony NPH powered)
Batteries:
V mount:
+1x Baxxtar pro 190wh with 1 D/Ptap out and 1x USB
+1x Neewer 95wh with 1D/P-tap out and 1x USB
+1x 4 D/P-tap splitter
+2x chargers
Sony L series:
-2x 5000mah NPF770
+charger
Canon LP-E6:
-8x batteries
+2x duel chargers
Panasonic 18650:
-4 batteries
+2 chargers (4 bank and 2 bank)
Production Rig & Camera Add Ons
-Tilta camera cage with top handle and cheese plate (BMPCC4K)
-2x 4 pound shoulder rig weights for stability (stackable)
-Magic arms in various sizes/offset plates
Computer:
-Mac Pro 2013 12 core- 64GB RAM, 2x 700 AMD D700 6GB VRAM each, 1TB SSD
-Macbook Pro 15 inch retina 16GB NVIDEA GeForce GT 750M laptop
-Mac Thunderbolt cinema display 27 inch [Duel monitor setup]
Photography Lighting:
-2x Godox V850 speed light and wireless camera transmitter/controller
Photography Lighting Accessories:
-Large 43 inch octabox softbox (Works with Speed-lights or with one 1144 LED continuous light)
-White photo umbrella
-3x Speed-light holder adapter
-3x Light stands
Aside from the gear above I am trained and experienced with RED cameras, Sony cinema cameras, Canon cinema cameras, Arri Alexa, ENG's and all DSLR's and mirrorless cameras under the sun!