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BLACK CASE RENTALS 

& GEAR LIST

I rent out my production gear with my hire for any film or photography jobs ranging from events, short form media, music videos, advertisments, commercials, weddings, portraits and headshots!  (DP/Cam OP/1st AC) I also offer DP kit/Cam op and 1st AC kits including camera packages, wireless video Teradek systems, wireless follow focus (Nucleus-M), manual focus kits, monitors, power accessories and more saving the client time renting and money over competitors.

'My cinema is photographic and my photography is cinematic' -BlackCase

 

(Save money over a rental house+ reliability and hassle)

Click HERE for downloadable excel style PDF of gear

Cinema Cameras:

RED Komodo 6K Cinema Camera

-Speed boosted To Full Frame+ [Large Format/ Vista Vision effective sensor width and height] [16 bit R3D RAW] 

-19.9MP Super35 Global Shutter CMOS - [Canon 0.71x RF-EF focal reducer  = larger than full frame feild of view. Approaching VV]

[38mmx20.25mm effective sensor when boosted+ gains 1 stop of light] 

-15+ Stops Dynamic Range

-Up to 6K40 17:9, 6K 50 2.4:1, 5K50, 4K60 & 2K120 Recording - REDCODE RAW HQ/MQ/LQ & Apple ProRes

-Wireless Control & Preview via Wi-Fi 

-Shoots large S35 (unboosted) [1.33x from full frame] EF, PL -  as well as boosted 0.95x (larger than full frame) video in EF or PL with boosters

[*Availability for Komodo to use LF/FF PL lenses with use of a Metabones RF-PL 0.71x speed booster if requested]

On Camera:

+Red PRO CFast 512gb

+Metabones 0.71x RF-EF CINE locking speedbooster

+Ignite Digi TB50 battery back plate (3 regulated 2 pin Lemo 0B outputs) with usb C hot swap or power feature

(Powers camera and all accessories through battery plate while hot swapping or AC/battery bank usb-C input powered)

+0.71x RF-EF mount | Metabones CINE locking speedbooster [Creates a between Full Frame & Vista Vision field of view; 38mm x 20.25mm]

(Zero play locking mount acts like a PL mount for EF glass)

+Bright Tangerine top handle+ LWS 15mm upgrade + run stop Nato top rail 

+Bright Tangerine Left field baseplate (Arri dovetail base lift off QR) with DJI/ Manfrotto quick release riser plate

+Tilta Komodo side ribs with 2 rosettes each camera side

+15mm rods either side for manual or w wireless follow focus motors

+top handle with nato for EVF/monitor

+12G SDI Belden cables by Nine Volt (2x lengths: monitor/ EVF/ gimbal monitor & Teradek)

Black Magic Cinema Camera 6K FULL FRAME 3:2

[12 bit 6K BRAW cinema camera with Full Frame 3:2 sensor]

+512GB CFExpress Type B [AngelBird]

+Ef Mount cine locking adapter

+Mamiya 0.7x to L mount Focal Reducer [Kipon] [Makes the FOV the same as a 65mm film or Alexa 65!!] 

+Half cage [Tilta]

+512gb Memory CFExpress Type B

+Rod mount 15mm, 

*Can also live on my Ronin R2 Gimbal as B cam with matching Luts to my RED Komodo

Stills Cameras:

Sony A7RII 42mp industry leading full frame sensor camera (Video and photography)

-4k Full frame & 4K Super35mm Slog-2 camera

Fujifilm Instax Wide 300 film camera

[available for polaroid style photo's added to any photography hire/assignment]

Lens Adapters:

 

+RF-EF 0.7x Speedbooster cine lock ef version [Metabones] 

+Mamiya 645- L mount 0.7x Speedbooster [Kipon]

+EF to L mount adapter with digital pins 

+M Leica mount to L mount adapter

+Mamiya 645 to EF mount

 [For Mamiya FF/VV use on RED Komodo 6K Speedboosted [VV fov]

+EF- RF adapter with digital pins [Canon]

+EF- E mount adapter with digital pins

Video Lighting Accessories:

-43 inch Octabox diffuser for Genray 14 LED lights

-Diffusion fabric caps for the Genray 14 LED lights

-80cm soft box for 1k LED

-120cm soft box for 1k LED

-White umbrella diffuser 

-CTO 1/4, 1.2 and full kit+ CTB gels+ white diffusion

Lenses:   

Cine modded primes:

All Spherical lenses have:

-95mm front OD for matteboxes

-.8 pitch gears/ Duclos modded

-Custom built in 82mm screw in filtration + can stack 82mm vari nd/filtration AND use mattebox still clamped on over top!

Zeiss Milvus Prime Set/ 12mm FF/VV:

*Click HERE to see Zeiss Milvus prime lens tests of mine on the Red Komodo boosted to FullFrame/VV

-Includes full Milvus Super Speeds kit [ultra high end f1.4 optics with higher IQ than Zeiss CP.2's & CP.3s kit with custom Zeiss pelican case and 95mm zeiss cine caps]

-12mm f2.8 Laowa 0-Distortion prime VV/FF [85mm Donut for 95mm Mattebox]

-Zeiss 18mm f2.8 MILVUS EF [95mm front cine OD]

-Zeiss 25mm f1.4 MILVUS Super Speed EF [95mm front cine OD]

-Zeiss 35mm f1.4 MILVUS Super Speed EF [95mm front cine OD]

-Zeiss 35mm f2 MILVUS EF [95mm front cine OD]

-Zeiss 50mm f1.4 MILVUS Super Speed EF [95mm front cine OD]

-Zeiss 85mm f1.4 MILVUS Super Speed EF [95mm front cine OD]

-Zeiss 135mm f2.8 'Contax' EF [95mm front cine OD]

Other:

-Zeiss 35mm f1.4 CLASSIC EF [95mm front cine OD]

Zoom Lenses:

-Canon 16-35mm f2.8 L mark II EF [95mm front cine OD]

Mamiya 645 Sekor C Medium Format Primes Set:

*Use with my BMCC6K FF and Kipon booster for 65mm+/Alexa 65+ FOV!

*These are the coveted large format lenses used by Christopher Nolan in the Dark Knight, Inception and more for IMAX and 65mm scenes

*EF adapter+ can adapt with 1.25x or 2x anamorphic systems of mine

*These lenses were all used in rehoused Arri DNA primes (30k$+ lenses with the same optics as below)

*They can be used for all formats from IMAX, 65mm (or speedboosted to 65mm on a LF camera like an Arri Alexa LF or Red V-Raptor) LF/FF and Super 35

*These are top of the line MINT rated copies of the coveted 'N' series, the newest versions of the Mamiya 645 Sekor C's

-Mamiya 35mm f3.5 Sekor C 'N' version [95mm front cine OD]

[24mm f2.8 ff equiv]

-Mamiya 45mm f2.8 Sekor C 'N' version [95mm front cine OD]

[33mm f2.8 ff equiv]

-Mamiya 80mm f1.9 Sekor C 'N' version [95mm front cine OD] *Dark Knight lens

[55mm f1.5 ff equiv]

-Mamiya 110mm f2.8 Sekor C 'N' version [95mm front cine OD]

[80mm f2 ff equiv]

Vintage mini set:

-Helios 44-2 58mm f2 EF [95mm front cine OD]

-Zeiss 35mm Flektagon f2.4 EF [95mm front cine OD]

Anamorphic Primes FF 2x and 1.25x:    

Zeiss Milvus 2x Anamorphic adapted FF set:

[114mm front cine OD for all 2x Anamorphic options below]

Click HERE to see 2x Anamorphic examples on my Red Komodo

-True anamorphic 2x (2.35:1 cinemascope) with .8 pitch focus gears

-'acts as' below are for FF lens width FOV on my 0.94x crop FF+ boosted RED Komodo cinema camera for the anamorphic lenses listed

-Zeiss 50mm f1.4 Anamorphic 2x (Acts as a 33mm equiv.) 

-Zeiss 85mm f1.4 Anamorphic  2x (55mm equiv.)               

-Zeiss 135mm f2.8 Anamorphic (90mm equiv.)                      

Other 2x option:

+Vintage style 58mm f2 Anamorphic 2x -Helios 44-2 (37mm equiv.) 

Zeiss Milvus 1.25x Anamorphic adapted FF set:

[95mm front cine OD for all 1.25x Anamorphic options below]

[Films shot in 1.25x anamorphic: Ben Hur 1959, Hateful Eight 2015, Rogue One Star Wars 2016, The King 2019]

-1.25x creates 2.2:1 in 16:9 mode or 2.4:1 in 17:9 mode

-1.25x can also be anamorfaked for more oval bokeh to appear as closer to 2x

-'Acts as' below numbers are 17:9 and then 16:9 FF width FOV width equivalents on my RED komodo speed boosted 0.94x FF+ cinema camera

-1.25x on my boosted Red Komodo creates a 47mm wide sensor FOV, nearly the width of the Arri Alexa 65mm cinema camera!

-Zeiss 35mm f2 Anamorphic 1.25x (Acts as a 25mm 17:9 & 26mm 16:9 FF FOV equiv.)   

-Zeiss 35mm f1.4 Anamorphic 1.25x (Acts as a 25mm 17:9 & 26mm 16:9 FF FOV equiv.)   

-Zeiss 50mm f1.4 Anamorphic 1.25x ( Acts as a 25mm 17:9 & 26mm 16:9 FF FOV equiv.)     

-Zeiss 85mm f1.4 Anamorphic  1.25x Acts as a 60mm 17:9 & 64mm 16:9 FF FOV equiv.)                                

-Zeiss 135mm f2.8 Anamorphic 1.25x  Acts as a 95mm 17:9 & 101mm 16:9 FF FOV equiv.)                                      

 

Other 1.25x Anamorphic FF+ options:

-Mamiya Sekor C N 45mm f2.8 Anamorphic 1.25x (Acts as a 31.5mm 17:9 & 34mm 16:9 FOV equiv)

-Mamiya Sekor C N 80mm f1.9 Anamorphic 1.25x (Acts as a 56mm 17:9 & 60mm 16:9 FOV equiv)

-Vintage style 58mm f2 Anamorphic 1.25x -Helios 44-2 (Acts as a 41mm 17:9 & 43.5mm 16:9 FOV equiv)

Photo Prime Lenses:

(*Also all compatible with the Sony A7R II 4K video)

*All cine based Zeiss and canon lenses can be used for photography also in addition to smaller Leica M  mount glass below

-Leica 35mm f2 Summicron-M  [M mount-Leica]

-Voigtlander Nokton 50mm f1.5 [M mount-Leica]

-Voigtlander 21mm f4                 [M mount-Leica]

Matte Box:

-Bright Tangerine Misfit Kick professional matte box kit:

-2 or 3 stage matte box with reveal stage

Accessories:

Backing sizes and adapters:

+95mm backing [Bright Tangerine frame safe]

+114mm backing [Bright Tangerine frame safe]

+80mm to 95mm adapter [mount with 95mm frame safe^]

+85mm to 95mm adapter [mount with 95mm frame safe^]

+4x Bright Tangerine Misfit kick 4"x5.65" trays

+Top french flag [carbon fibre] with pull out side curtains

+Filter Tray [Bright Tangerine]

+Black Hole Mini Rubber Donut [Bright Tangerine]  [114mm]

-SmallRig Mini Mattebox  [ultra light carbon fibre mattebox]

+2x 4"x5.65" filter trays

+95mm backing for 95mm OD lenses

+80mm to 95mm adapter for 80mm OD lenses

+85mm to 95mm adapter for 80mm OD lenses

+Top french flag [carbon fibre]

[Note- for all cine EF lenses above my high end Polar Pro Vari ND/ND's can also work in conjunction with matte box+filters to create ND+diffusion]

Mattebox Filters [4"x5.65"]

Full Spectrum Neutral Density filters

[FSND filters are state of the art ND filters that also filter out many forms of light pollution such as Infared, creating proper skin tones and black blacks]

- 0.6 FSND Schneider RHOdium 2 stop ND [4"x5.65"]

- 1.2 FSND Schneider RHOdium 4 stop ND [4"x5.65"]

- 2.1 FSND Schneider RHOdium 4 stop ND [4"x5.65"]

- 3.0 FSND Schneider RHOdium 4 stop ND [4"x5.65"]

FSND set when single or stacked 2x:

0.6- 2 stops ND [single]

1.2- 4 stops ND [single]

1.8- 6 stops ND [0.6+ 1.2]

2.1- 7 stops ND [single]

2.7- 9 stops ND [2.1+ 0.6]

3.0- 10 stops ND [single]

3.3- 11 stops ND [1.2+ 2.1]

3.6- 12 stops ND [.6+ 3.0]

4.2- 14 stops ND [1.2+ 3.0]

5.1- 17 stops ND [2.1+ 3.0]

Diffusion filters

-1/4 Schneider Hollywood Black Magic [4"x5.65"]

Lens filters [82mm]

[Filters fit all my lenses as well as work in conjunction with my matte box 4x5.65" filters]

ND:

-Variable ND 2-5 stop PolarPro Edition II [82mm]

Diffusion:

-1/4 Black Pro Mist [82mm]

-1/2 Black Pro Mist [82mm]

Wireless Video Systems (Teradek)

-Teradek BOLT 500 XT SDI/HDMI RX/TX

[0ms 1080p 60 industry standard high end wireless video system]

+V mount/Gold mount/Sony L mount powered options all available

+Teradek hard case with all accessories (AC power/D tap LEMO connections/L mount/HDMI and SDI cables and manual)

-Hollyland Mars X

[1080p video/audio transmitter for up to 3 IOS/Android devices (phones or iPads) with only 0.07ms delay]

+Perfect for gimbal work, smaller shoots or combined with my directors monitor/1st AC setup to send out to clients or other departments on set

Follow Focus (Wireless & manual)

-Tilta Nucelus-M wireless system:

+Nucleus M- Focus Motor

+Nucleus M- Fiz hand unit 

+Nucleus M- Wireless follow focus handle Right & Left [Arri rosette]

+Tilta Nucleus M fiz monitor mount+ QR updates+ ergonomic updates+ phone QR holder for RED Komodo control/RS & viewing for 1st AC

+Ignite Digi memo power cable + Tilta D tap power cable for motor

 [D-tap power or Tilta battery bank 8v power for gimbal use/ small rig/ handheld setups or lenses requiring lower torque]

-Zacuto manual Z-drive with Tornado hand grip follow focus attachment

+15 inch follow focus whip

Fiz unit focus disks x9 total:

[Focus distances marked and ready to go, including printed lens distance scale backups]

[x5 total for 1x each Zeiss milvus lens]

[x1 for the Canon 16-35 L]

[x2 for anamorphic 1x for normal distance, 1x for +1 diopter]

1x backup for other lens distance scale

Professional Reference Monitor /Director/ 1st AC Monitor:

-Panasonic18.5"  professional reference monitor [LH series/ BT-LH1850

-SDIx2 and Hdmi input x1

+Vesa mini baby pin monitor mount

+Nanuk custom foam carry case

Director/1st AC Monitor pro wireless kit portable:

*Contains Monitor, Teredek, wireless 1080p transmitter for 3 phones/Ipads, SDI out for production/directors monitor

all built into a portable cage system

-Wooden Camera directors cage V3 carbon fibre all in one unit which holds the following: 

-Teradek BOLT 500 XT wireless 0ms delay video receiver

+7inch 3000 nit full HD monitor [Osee 4K G7 HDMI & SDI 1920x1800]  

-Hollyland Mars X iOS/Android phone/Ipad 3 device 1080p video/audio transmitter

+V mount battery mount with on/off switch for entire unit

+Sun hood which doubles as screen protector when transporting or not in use

+Tilta Nucleus M fiz monitor mount+ QR updates+ ergonomic updates+ phone QR holder for RED Komodo control/RS & viewing for 1st AC

+Kit can be totally wireless with 4 point padded harness/neck strap for convenience or

mounted on stand during takes or for 1st AC/ video village

+ Kupo baby/junior swivel head w QR for Directors/AC monitor cage [For fully adjustable monitor angle/pitch setup]

[Pelican case with strap containing fully setup directors monitor Teradek and mars X single unit with V mount battery + Teradek 500 XT transceiver]

Stabilization:

Dolly:

Doorway Dolly:

-Proaim Spin Doorway Dolly [2 and 4 wheel steer+ track wheels]

+Upgraded Alpine boom attachment with Mitchell mount +100mm bowl adapter [3'-6.5' height vertical boom]

+Mitchell mount 13-22" riser 

[Boom up and down vertically while dollying like a chapman/pro dolly!]

Click here for instructions and manual

Click here for Alpine upgrade/attachment video

-Pneumatic tires with 4 or 2 wheel steer

-Track wheels are pre installed, simply lift onto track for track mode with any industry standard dolly track

-Works with any Elemac accessories

+Operator seat

+Elemac mount at dolly base

+Mitchell mount on Alpine vertical boom

+Mitchell riser to reach up to 6'5" [13-22" riser]

+100mm bowl adapter for Mitchell mount

Dana dolly/Dutti dolly style conversion option:

-Tear down for small track only dolly similar to Dana dolly or Dutti dolly! (remove pneumatic tires, and 4 wheel steer front end)

-Tears down to 26x20" (similar size to Dutti dolly)

Tripod Dolly:

-Proaim Swift Tripod Dolly/ Jib dolly

Slider Dolly:

-4 foot slider

[Works on table top with included legs or on tripod/stands]

Dolly Track:

-12 Foot Dolly track

[3x4 foot sections + wedges]

[Track works with doorway dolly and tripod dolly]

Gimbal:

-Ronin R2

[Full size Ronin not* smaller RS model]

[Up to 30 LBS Camera Package]

+ Full kit with case

+ Cine ring

+ DJI ready Rig Adapters

+Nucleus M Handle clamp

-Ready Rig with Pro Arms upgrade

Perfect for gimbal setups up to 40 pounds!

+Lumbar support upgrade

Easy Rig:

-Easy Rig Mini Strong  with 16x9 KONG quick release + hook

[^Supports 7-22 pound camera/rig configurations!]

Shoulder Rig:

-Full production shoulder rig [15mm titanium alloy Bright Tangerine rods]

+Quick release manfrotto 501 plate for camera to other stabilizer [tripod, monopod, dolly, gimbal etc in seconds]

+Handles both feature Wooden Camera push button quick adjust upgrades:

+Wooden right hand grip [Rosette]

+Tilta nucleus-M left hand grip and follow focus handle [Rosette]

+V mount plate and D-tap splitter

+Teradek SmallRig quick release NATO rail system off of 15mm rails

+Shoulder pad attachment 

+Panavision X Alan Gordon professional padded shoulder pad strap

 

Tripod:

 

-Benro DV10 100mm bowl professional tripod head

-Benro A673TM legs + mid spreader and rubber feet

+Independant drag and counter balance

+Supports pro rigs up to 22 pounds/10kg (head)

 

Video Lighting:

Aputure/Amaran/Nanlite Kit:  

[All Aputure lights below sync via bluetooth mesh network to Sidus link app for full control and pre-setups]

Lighting Scheme:

Letter before a number: P=panel light F= flex light B= Bulb light T= tube light

Letter after the number: D= daylight X= bi-colour C= RGBWW [full spectrum]

Bowens mount modifiers [fit COB lights below]

-Aputure F10 Fresnel [1 unit]

-GL20 8" Fresnel [Nanlite] [1 unit]

[works on 500b and 300b]

-Aputure lantern [1 unit]

-Aputure space light [1 unit]

-80cm softbox [Phot-R]

Aputure/Nanlite COB Fixtures:

- LS 600d Pro      [1 unit]

600w COB

+F10 Fresnel

+Rolling case

+V mount power pack [duel+charging]

-500b [Nanlite]      [2 units]

500w Bi-colour COB

90% 5600k output as 600d

33% more output @5600k than 600x 

50% more output @3200k than 600x

+GL20 8" Nanlite Fresnel x1

+Hyper reflec

+Umbrella holder

-300b [Nanlite]      [1unit]

300w Bi-colour COB

More 5600k output than a 300dii

40% more output in 3200 and 5600 than 30

+GL20 8" Nanlite Fresnel x1

+Hyper reflector

+Umbrella holder

+NO control box- super efficient and rig-able

- 200x      [1 unit]

200w Bi-colour COB [As powerful as a 300x with reflector]

+Hyper reflector

+Umbrella holder built into yoke

Aputure Panel/ Flex Lights/ 4' Tubes/ Mini LED's/ Bulb Fixtures:

- Nova 600c     [1 unit]

600w 2'x1' RGBWW panel light

- F22c     [1 unit]

200w 2'x2' RGBWW flexlight

+Softbox with grid and diffusions:

+ 0.5 stop diffusion & 2.5 stop diffusion

+V mount power [via control box]

- P60c     [1 unit]

RGBWW 1'x1' panel light 60W output

+soft box & grid

+V mount or 2x Sony BP batteries for independent power

+Umbrella holder built into yoke

- T4c     [2 units]

RGBWW 4 foot tube light

-AC powered OR with rear hidden battery attachment the tube is perfect for on camera (looks identical to an aster tube-clean)

-More outout and higher CRI than Astera Titan tubes

-Removable battery for quick replacement w/o de-rigging

-Aputure MC  [2 units]

RGBWW 3"x4" lights

+diffusion 

-Aputure B7C   [6 units]

Bulb RGBWW light fixture with built in battery

+Case with chargers for all bulbs to charge at once

Adapters for E27 B7c bulbs to mount to virtually any light socket: [Also work with Asteras NYX bulbs]

+4x E27 extenders 

+5x GU10 to E27 adapters

+4x GU24 to E27 adapters

+5x E12 to E27 adapters

+5x E14 to E27 adapters

+4x E17 to E27 adapters

Other Light Fixtures:

-Redhead 1000w Ianiro kit     [3 units]

-Tungesten flood spot units

+flight case for 4 units+ 4 stands

+Lee CTB, Rosco heat sheild, diffusion and colour gels available

-100W Phot-R      [1 unit]

[Bowens mount]

[Aputure 120d II equiv COB]

+Aputure Fresnel 2x 

+Aputure barn-doors with 30 degree grid [+ CTO quick in/out gel holder with gels [Full, 1/2, 1/4]

+V-mount plate for full power

-Genaray 14- light      [1 unit]

14 inch dish light 1400 leds- use with large octabank, umbrellas and various gels

-SmallRig Pix M160      [1 unit]

RGBWW 3.5"x6" light fixture

+diffusion

+grid

Video Lighting Accessories:

-43 inch Octabox diffuser for Genray 14 LED lights

-Diffusion fabric caps for the Genray 14 LED lights

-80cm soft box for 1k LED

-120cm soft box for 1k LED

-White umbrella diffuser 

-CTO 1/4, 1.2 and full kit+ CTB gels+ white diffusion

Diffusion/Frames & Rags:

Frames [Modern Studio]:

-4x4' Frame [Teardown style- heavy duty]     [1 unit]

Diffusion/Rags [Modern Studio]:

4x4':

-1/4 Grid cloth [Silent]     [1 unit]

6x6':

-1/2 Grid cloth [Silent]     [1 unit]

-Unbleatched muslin     [1 unit]

Flags, Bounce, Neg:

-40x40" Ultrabounce/ neg floppy [Folds out to 40x80"] [Modern Studio]     [1 unit]

-24x36" Black floppy [Folds out to 36x48"]     [1 unit]

-47x57" 5 in one fold out [Black neg, bounce, gold, silver, diffusion]     [1 unit]

-42" Bounce/diffusion round fold out

LX/ GRIP and Rigging:

Stands, Booms, Clamps, Adapters and Lights Rigging:

C-Stands:

-3x Turtle base C stands total:

-1x C Stand - Turtle base [Savage, silver]

+tons of extra patented features- click HERE to view

-2x C Stands -Turtle base [black]

C-Stand Add ons/grip:

-6 Arms total:

-5x 40" arms

-1x 20" arm:

+2x 40" are Kupo steel arm with knuckle and baby hex connection at end of arm 

+1x 40" is Avenger

+1x 40" Savage with mafer style clamp

+1x 20" is a Kupo steel arm with knuckle and baby hex connection at end of arm

Grip Heads:

-7 grip heads total:

-5x Kupo,  1x Avenger, 1x Savage

-[special features of kupo: 1) Spring loaded gobo 2)Kupo grip heads can affix a baby pin on their top allowing a light to mount + the gobo for diffusion/double duty]

ty]

Combo Stands:

-1x Matthews Combo Stand- Digital Double Riser 11.3'

Boom Arms

-1x Heavy duty baby boom 8 foot arm [Strobepro] [Baby pin mount] [Steel]

[Supports 22 pounds at fully extended!]

+Squared baby pin at boom end to avoid rotating lights/rigging

+Sand bag holder for counter weight

Light Stands:

-3x Light stands [Manfrotto] [Aluminum 8']

Autopole:

-Autopole 6'-12' [Manfrotto]

[Rig lights, diffusion etc from the ceiling saving floor space from stands]

+White rubber feet to prevent marking

+Stud finder to locate studs for strong rigging

Clamps and Adapters:

-Cardellinis:      [Kupo Riser clamps]

-All below have additional 3/8 hex receiver on top jaw section to for additional arms or spigots/ rigging

-1x 4" end jaw cardi 

-1x 9" end jaw cardi

-2x Super Clamps/ Mafer Clamps [Manfrotto]

+ spiget [Squared off spiget for anti rotate]

Pony Clamps [A clamps] [Steel] :

- 6x 1"

- 6x 2"

- 3x 3"

1x Safety cable/wire 18"

1x Drop ceiling scissor clamp [Avenger]

1x Long double baby pin 5/8" [Avenger]

1x 2 Section 24" double articularted arm [Supports 11 pound lights or rigging] -Baby pin spigot ends

-1x 2' Gooseneck flexible clamp [Clamps small LED light panels or ipad]

Sandbags/Waterbags:

4x Total:

3x 28LBS waterbags (weigh nothing until filled, fill to 14 or 28LBS)

1x 15LBS vinyl sandbag (water resistant)

Flags:

-24x36" Solid floppy flag [Extends to create a 36x48" floppy]

Board Flags x Bounces:

-2x 40x40" black board

-1x 20x40" black finger board

-1x 40x40" white board

AC Power

-1x 100' AC power cable [15A 125V - grounded]

-1x 50' AC power cable [15A 125V - grounded]

-12 Gauge SWOOJ 12/3 industry standard

-2x 25' AC power cable [15A 125V - grounded]

-12 Gauge SJOW cables

4x Cube tap 3 outlet  AC

-Industry standard heavy duty- Leviton brand, grounded

1x AC 4 outlet wall plug adapter

Sound:

-Sennheisser G2 Lavaliere wireless mic kit 

Receiver cables:

+Mini jack 1/8 male [locking to receiver] to XLR female

+Mini XLR male to mini jack 1/8 male [locking to receiver]

+Mini jack 1/8 male [locking to receiver] to mini jack 1/8 male

-Seinheisser professional XLR shot gun microphone MKE 600 with internal phantom power

[Cables below effectively connect the XLR shotgun mic to any audio system [XLR, Mini XLR, 1/8 mini jack]

+10" XLR female to mini jack 1/8 male

+10" XLR female to Mini XLR male

+ 6' mini jack 1/8 male to XLR female

+ 6' XLR female to XLR male

+ 10" Mini XLR male to XLR female

 

-Rode Video Mic Pro+

-Rode Lav+

+30 foot reach cable/ Apple IOS wireless recording

Monitors:

-Small HD 502 (SDI+HDMI in/out)

[1080p 5" monitor with Side-finder EVF combo that works as a monitor + EVF]

+D tap power or Canon LP-E6 (both options available and stocked)

-Feelworld 7" 1080p monitor

+Sun hood (V mount powered with Directors monitor/1st AC kit or Sony NPH  powered)

Batteries:

V mount:

+1x Baxxtar pro 190wh with 1 D/Ptap out and 1x USB 

+1x Neewer 95wh with 1D/P-tap out and 1x USB

+1x 4 D/P-tap splitter

+2x chargers

Sony L series:

-2x 5000mah NPF770

+charger

Canon LP-E6:

-8x batteries

+2x duel chargers

Panasonic 18650:

-4 batteries

+2 chargers (4 bank and 2 bank)

Production Rig & Camera Add Ons

-Tilta camera cage with top handle and cheese plate (BMPCC4K)

-2x 4 pound shoulder rig weights for stability (stackable)

-Magic arms in various sizes/offset plates

 

Computer:

-Mac Pro 2013 12 core- 64GB RAM, 2x 700 AMD D700 6GB VRAM each, 1TB SSD

-Macbook Pro 15 inch retina 16GB NVIDEA GeForce GT 750M laptop

-Mac Thunderbolt cinema display 27 inch [Duel monitor setup]

Photography Lighting:

-2x Godox V850 speed light and wireless camera transmitter/controller

 

Photography Lighting Accessories:

-Large 43 inch octabox softbox (Works with Speed-lights or with one 1144 LED continuous light)

-White photo umbrella

-3x Speed-light holder adapter

-3x Light stands

 

Aside from the gear above I am trained and experienced with RED cameras, Sony cinema cameras, Canon cinema cameras, Arri Alexa, ENG's and all DSLR's and mirrorless cameras under the sun!

 

 
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