Cinema Lenses | wbinks

-Includes full Milvus Super Speeds kit [ultra high end f1.4 optics with higher IQ than Zeiss CP.2's & CP.3s kit with custom Zeiss pelican case and 95mm zeiss cine caps]

-12mm f2.8 Laowa 0-Distortion prime VV/FF [85mm Donut for 95mm Mattebox]

-Zeiss 18mm f2.8 MILVUS EF [95mm front cine OD]

-Zeiss 25mm f1.4 MILVUS Super Speed EF [95mm front cine OD]

-Zeiss 35mm f1.4 MILVUS Super Speed EF [95mm front cine OD]

-Zeiss 35mm f2 MILVUS EF [95mm front cine OD]

-Zeiss 50mm f1.4 MILVUS Super Speed EF [95mm front cine OD]

-Zeiss 85mm f1.4 MILVUS Super Speed EF [95mm front cine OD]

-Zeiss 135mm f2.8 'Contax' EF [95mm front cine OD]

Other:

-Zeiss 35mm f1.4 CLASSIC EF [95mm front cine OD]

Zoom Lenses:

-Canon 16-35mm f2.8 L mark II EF [95mm front cine OD]

Mamiya 645 Sekor C Medium Format Primes Set:

*Use with my BMCC6K FF and Kipon booster for 65mm+/Alexa 65+ FOV!

*These are the coveted large format lenses used by Christopher Nolan in the Dark Knight, Inception and more for IMAX and 65mm scenes

*EF adapter+ can adapt with 1.25x or 2x anamorphic systems of mine

*These lenses were all used in rehoused Arri DNA primes (30k$+ lenses with the same optics as below)

*They can be used for all formats from IMAX, 65mm (or speedboosted to 65mm on a LF camera like an Arri Alexa LF or Red V-Raptor) LF/FF and Super 35

*These are top of the line MINT rated copies of the coveted 'N' series, the newest versions of the Mamiya 645 Sekor C's

-Mamiya 35mm f3.5 Sekor C 'N' version [95mm front cine OD]

[24mm f2.8 ff equiv]

-Mamiya 45mm f2.8 Sekor C 'N' version [95mm front cine OD]

[33mm f2.8 ff equiv]

-Mamiya 80mm f1.9 Sekor C 'N' version [95mm front cine OD] *Dark Knight lens

[55mm f1.5 ff equiv]

-Mamiya 110mm f2.8 Sekor C 'N' version [95mm front cine OD]

[80mm f2 ff equiv]

Vintage mini set:

-Helios 44-2 58mm f2 EF [95mm front cine OD]

-Zeiss 35mm Flektagon f2.4 EF [95mm front cine OD]

Anamorphic Primes FF 2x and 1.25x:

Zeiss Milvus 2x Anamorphic adapted FF set:

[114mm front cine OD for all 2x Anamorphic options below]

Click HERE to see 2x Anamorphic examples on my Red Komodo

-True anamorphic 2x (2.35:1 cinemascope) with .8 pitch focus gears

-'acts as' below are for FF lens width FOV on my 0.94x crop FF+ boosted RED Komodo cinema camera for the anamorphic lenses listed

-Zeiss 50mm f1.4 Anamorphic 2x (Acts as a 33mm equiv.)

-Zeiss 85mm f1.4 Anamorphic 2x (55mm equiv.)

-Zeiss 135mm f2.8 Anamorphic (90mm equiv.)

Other 2x option:

+Vintage style 58mm f2 Anamorphic 2x -Helios 44-2 (37mm equiv.)

Zeiss Milvus 1.25x Anamorphic adapted FF set:

[95mm front cine OD for all 1.25x Anamorphic options below]

[Films shot in 1.25x anamorphic: Ben Hur 1959, Hateful Eight 2015, Rogue One Star Wars 2016, The King 2019]

-1.25x creates 2.2:1 in 16:9 mode or 2.25:1 in 17:9 mode

-1.25x can also be anamorfaked for more oval bokeh to appear as closer to 2x

-'Acts as' below numbers are 17:9 and then 16:9 FF width FOV width equivalents on my RED komodo speed boosted 0.94x FF+ cinema camera

-1.25x on my boosted Red Komodo creates a 47mm wide sensor FOV, nearly the width of the Arri Alexa 65mm cinema camera!

-Zeiss 35mm f2 Anamorphic 1.25x (Acts as a 25mm 17:9 & 26mm 16:9 FF FOV equiv.)

-Zeiss 35mm f1.4 Anamorphic 1.25x (Acts as a 25mm 17:9 & 26mm 16:9 FF FOV equiv.)

-Zeiss 50mm f1.4 Anamorphic 1.25x ( Acts as a 25mm 17:9 & 26mm 16:9 FF FOV equiv.)

-Zeiss 85mm f1.4 Anamorphic 1.25x Acts as a 60mm 17:9 & 64mm 16:9 FF FOV equiv.)

-Zeiss 135mm f2.8 Anamorphic 1.25x Acts as a 95mm 17:9 & 101mm 16:9 FF FOV equiv.)

Other 1.25x Anamorphic FF+ options:

-Mamiya Sekor C N 45mm f2.8 Anamorphic 1.25x (Acts as a 31.5mm 17:9 & 34mm 16:9 FOV equiv)

-Mamiya Sekor C N 80mm f1.9 Anamorphic 1.25x (Acts as a 56mm 17:9 & 60mm 16:9 FOV equiv)

-Vintage style 58mm f2 Anamorphic 1.25x -Helios 44-2 (Acts as a 41mm 17:9 & 43.5mm 16:9 FOV equiv)